With a new same-day delivery service, it’s going to try.
By Eliza Brooke
When Rent the Runway launched in 2009, offering shoppers a relatively inexpensive way to rent out designer clothing for a few days, customers booked their outfits for weddings and special occasions three weeks ahead. Eight years later, that window has narrowed to days and, in many cases, hours.
“Our customers’ entire lives are on-demand,” says CEO Jennifer Hyman. “They’re not planning anything in advance.”
So to meet the wants of those Hotel Tonight-ing, Seamless-ing, Uber-ing shoppers, Rent the Runway is going on-demand, too. Today, it’s launching same-day delivery in New York, promising to deliver orders to shoppers by 5 p.m. if they book by noon.
You could say that Rent the Runway is trying to compete with Net-a-Porter and Barneys, both of which offer same-day delivery in parts of New York, or that it’s trying to get a slice (a sliver, really) of Amazon’s Prime Now action. But Hyman says that it’s mainly looking to cut into fast fashion’s stranglehold on day-of purchases. For women who work and live within subway distance of a Zara, it’s all too easy to put off buying something for a nice event until the very last minute, because you know that when you walk through those doors you’ll be able to find something that’s on-point and inexpensive, fast.
“Today, the only real options from a value perspective and a distribution perspective are H&M, Zara, T.J. Maxx, and Forever 21,” Hyman says. “If I get asked on a date tonight, the probability that I’m going to go all the way to Saks and spend $1,000 on that outfit is zero.”
Rent the Runway offers product from high-end designers like Oscar de la Renta, Giambattista Valli, and Proenza Schouler, but some of its dresses hit as low as $30. That’s the price point that could persuade people to test out its same-day service instead of hitting up a chain store. And for anyone who feels gross about the disposable clothing culture attached to the fast fashion industry, buying into Rent the Runway’s cycle of reuse (which does incur the environmental costs of dry cleaning) may be extra appealing.
In recent years, the startup has been trying to cement itself as a go-to for everyday clothing as well as event dressing, and it’s expanded its assortment accordingly with trousers and tops and rompers. Same-day delivery helps push it toward that goal.
Hyman says Rent the Runway is looking to expand same-day delivery to other major cities by the fall. If all goes well, Chicago, DC, LA, and San Francisco could be up next.
*This story first appeared on Racked
The circular economy.
Closing the loop.
Cradle to cradle.
These are all phrases you may well have heard of. If not, best to familiarise yourself with them a.s.a.p. As our increasingly consumerist lifestyles reach tipping point, organisations are desperately trying to gather and reuse our rubbish, because otherwise, we may have nothing left to make anything with.
This year’s Copenhagen Fashion Summit was kicked off by someone I had, until that moment, not heard of: Bill McDonough. If you are as clueless as I was, take the next 14 minutes and 30 seconds to get to know him and his ideas a little better. You won’t regret it.
People were still clapping by the time I’d completed my purchase of his book, Cradle to Cradle.
Fashion’s grave reality
McDonough’s work is clearly applicable to the creation of many, if not all, products. But it is particularly relevant to clothing because this industry has arguably one of the most linear and wasteful cycles in modern society. And this cycle’s impact on the environment is exacerbated by its speed and the quantities involved.
The fashion cycle: cradle to grave
With 92 million tonnes of textile waste being produced by the global fashion industry in 2015, corresponding to more than 12 kg per person, it’s clear that we are hemorrhaging valuable resources every second of every day.
So What Exactly is Being Wasted?
In particular, I highlighted popular man-made fibre polyester as the most used in clothing production today.
Polyester is derived from fossil fuels, one of our planet’s none renewable resources. A resource so valuable in fact, that it should be treated as a ‘nest egg’ McDonough suggests.
And yet, not only do we buy cheap, poorly made clothing using this precious resource, but we throw it out in such a way that these valuable materials cannot be retrieved.
Perhaps excavating landfill sites will be a common activity in the future?
How insanely backward would that be?
How Can the Fashion Industry Do It Better?
How can this regressive fashion industry transform itself into a regenerative one?
When it comes to fashion, and the materials we use, we can work to achieve a circular system in two ways:
By creating a “biological” cycle, whereby an item made with 100% natural fibres (wool for example), able to be broken down by bacteria, is reclaimed by nature into its vast ecosystem when we no longer want or require it.
The fashion cycle: cradle to cradle (biological)
Or a “technical” one, whereby the clothing we buy made of man-made fibres is designed in such a way that the fibres can be separated and reused in a never-ending production cycle, whilst not degrading in quality.
The fashion cycle: cradle to cradle (technical)
Some organisations are themselves working on large-scale collection schemes in their shops. These schemes provide them with the raw materials to experiment with ways of recycling fibres.TT
Unintelligent and Inelegant Things…
My favourite phrase from ‘Cradle to Cradle’ is: ‘products that are not designed particularly for human and ecological health are unintelligent and inelegant –what we call crude products’
Everything we buy, and everything we do, is part of a bigger process.
We can’t know everything. But know this: as a wearer of clothes, what you chose to buy and wear really matters. Because with every purchase, you are telling the world who and what you support.
Choose not to buy cheap clothes from people who cannot tell you how or where their products are made.
Chose not to buy clothing from companies who ignore our collective responsibility to address the issues the fashion industry and, by default, we all face.
A product without background, without craftsmanship, made without thought or purpose or regard for the future is a product without beauty, without meaning and without worth.
It’s a crude purchase. Simple.
*This story first appeared on Study 34
This week, representatives from all the major brands – from fast fashion retailers like H&M, Asos and Zara, through to luxury labels like Burberry and Swarowski – are gathering in Copenhagen to discuss sustainability in the global fashion industry.
The fashion industry is one of the most lucrative and destructive industries on earth. It generates €1.5 trillion every year and produces over a billion clothes every year. With global garment production set to increase by 63% by 2030, this model is reaching its physical limit.
This year’s Copenhagen Fashion Summit is focusing on “circularity” – an industry buzzword that promises relief to the problem of limited resources within one of the world’s most resource intensive industries. In 2015, the fashion industry consumed nearly 80 billion cubic meters of fresh water, emitted over a million tonnes of CO2 and produced 92 million tonnes of waste. The Summit admits that the industry has a disastrous environmental impact and that we face “increasingly higher risk of destabilising the state of the planet, which would result in sudden and irreversible environmental changes”.
While their focus on circularity sounds promising, it’s simply not enough.
Industry leaders rarely talk about the real solution: reducing the overall volume of production. All their talk about sustainable investing and innovative new materials and technologies comes under the assumption that the industry continues to grow. But unlimited growth is impossible on a planet with finite resources.
The industry wants to place the responsibility on consumers to educate themselves and recycle their own clothes, while continuing to heavily market cheap fast fashion at us.
Real change is not going to happen without investing in designs and strategies to extend the life of clothing and reduce the environmental impact of production at the design stage. Fashion brands need to redefine their marketing strategies and start involving customers in a new narrative where people buy less and clothes are more durable and repairable. We need to slow down.
If the Fashion industry really wants to be “an engine for a global and sustainable development”, it needs to think about how to shift the business model beyond the current paradigm of continuous economic growth. We hope that the fashion industry doesn’t wait until 2030 to realise that.
*This story first appeared on Greenpeace.org
About 13 years ago, I was travelling in a beat-up “bakkie” (or, as we Americans call it, pick-up truck) through a dusty, northern Mozambican town. With a bucket on her head and a face lined from years of hardship, an elderly woman walked slowly down the road, quietly going about her business… while wearing a bright red Ohio State sweatshirt, complete with their mascot, Brutus Buckeye! This sweatshirt, probably discarded at one point in a Salvation Army depot in Ohio, found a new owner in the most unlikely place.
And while one can argue the merits of second-hand clothing imports and their effect on African apparel industry, the following conclusion is clear: When we discard our unwanted clothes, they do not go away.
Rather, the “lucky” ones go on to reuse, after being sorted, categorized, packaged, and shipped, often to faraway lands. This fascinating video shows what happens when these discarded duds arrive in India. “Maybe the water is too expensive to wash them,” says one of the sorters, perplexed by the state of the clothing sent by the West.
But what happens when a piece of clothing is too worn to be, well, worn again? Has it reached its end of life? Judging by the millions of tons of clothing ending up in landfills across the world, one would think so. But it doesn’t have to be.
Clothes that cannot be worn again can be taken apart. The “easy” way is via mechanical fibre recycling, which entails chopping the clothing into small pieces to create new fibre. But this process weakens the fibre, which still needs to be blended with a high proportion of new (or virgin, in industry speak) fibre. And only a small percentage of total clothing actually goes through this process.
But this process doesn’t work if your old t-shirt is made of blended fibres. And we absolutely love those stretchy, fitted t-shirts, which usually have a bit of elastane. In fact, it is estimated that up to 20% of the world’s clothing is made up of a cotton/polyester mix, which means these fibres cannot be “born again” as new fibre for clothing.
But perhaps not for long. Over the past few years, a number of research institutes and innovators (like Worn Again, Evrnu, re:newcell, Saxion University, Mistra Future Fashion, Deakin University, VTT, Aalto University and Tampere University) have been developing chemical recycling processes that can get more life out of those blended t-shirts. I have had the opportunity to speak with some of these guys to learn more about how such technologies can transform the way we use – and reuse – clothes. As Worn Again states, such technologies can create “Abundance for Everyone. Forever.”
In other words, there is no end of life. Only end of use.
But we’re not there yet. The processes for turning blended clothing into new fibre still need perfecting – and scaling – to help the industry eventually eliminate the concept of waste. So, in the meantime, there are some practical things that we – the customers who love stretchy t-shirts – can do.
Love our clothes! We can be inspired by the tips from the Love Your Clothes movement, helping us to think about how we buy, use, and pass on our clothing.
For every new piece of clothing we buy, we can gift or swap an old piece… give it to friend, take it to a charity shop, recycling centre, a “take back” scheme, or take it to swishing party.
Pull a Mark Zuckerberg. We should not be afraid to wear the same thing, every day, to work. Apparently, this also helps us to be more successful in our careers.
Check the labels. Until cotton recycling technologies really take off, a blended t-shirt (e.g. cotton and polyester) is harder to recycle than one that is of a single fibre – whether natural or man-made. Let’s go for that 100%.
Tell our friends…and kids. The clothing we love is taking its toll on our earth. At least 350,000 tons of clothing end up in landfills in the U.K. alone. In the US, just 15% of used clothing and textiles are diverted from landfill and incineration. We all have a role to play. Let’s spread the word and bring back our clothes.
And the more that we do that, the more we can give new life to our old clothes.
*This story first appeared on The Huffington Post
Lenzing achieved another milestone in its innovation heritage in the textile industry by developing a new fiber based on cotton scraps and wood. Refibra™ is the first cellulose fiber featuring recycled material on a commercial scale and was launched today at Premier Vision textile fair in Paris. The fiber is produced in the TENCEL® production process. TENCEL®, already a market success as an eco-friendly fiber, is now achieving another key milestone by creating from natural resources what is likely the most sustainable fiber. Refibra™ from cotton scraps and wood will further build Lenzing’s reputation as a leader in the field of environmental fiber technology and will push new solutions in the textile industry towards circular economy by recycling production waste.
“For Lenzing, developing circular business models in the fashion industry ensures the decoupling of business growth from pressure on ecological resource consumption. It reduces the need to extract additional virgin resources from nature, and reduces the net impact on ecological resources,” explain Stefan Doboczky, CEO of Lenzing Group, and Robert van de Kerkhof, CCO. Refibra™ – Reborn TENCEL® fiber
The new TENCEL® generation Refibra™ stands for “Reduce, Reuse and Recycle”. “The brand name Refibra™ and the claim ‘Reborn TENCEL® fiber’ illustrate immediately that this new kind of fiber is made of recycled materials promising reduced reliance on natural raw materials. Because Refibra™ is based on the TENCEL® fiber, which has been internationally recognized for its environmentally responsible closed loop production process, Refibra™offers a deep sustainability profile that clearly contributes to circular economy,” van de Kerkhof explains.
Refibra™ with fiber identification Transparency becomes more and more an issue in the textile industry to prove for example material origin. To assure customers that the fiber, made from recycled material, is really in the textiles, Lenzing has developed a new identification system. The system makes it possible to identify the Refibra™ fiber in the finished textile. This guarantees transparency in the overall processing chain.
The Refibra™ fiber itself is part of the global Lenzing Branding Service and the brand is licensed once the textile has undergone a certification process. International partnerships for circular economy “Close cooperation with leading companies who attach particular importance to sustainability is a pre- requisite for a successful market launch,” van de Kerkhof comments. “These pioneering companies offer the possibility of jointly developing concepts that contribute to a more sustainable fashion industry and promote the circular economy in this sector as well.”
For a better planet “TENCEL® itself is an environmentally responsible fiber of botanic origin. With Refibra™, we add to the future of manufacturing and start to reassess waste as resource. The target is to close the loop. We will not stop our innovation before we are there,” van de Kerkhof said. “Lenzing is working for a better planet.”
*This story first appeared on Carved in Blue
The company’s giant recycling facility in Germany receives hundreds of tons of old clothes a day. Can it find a way to turn those old clothes into new garments and make its business model sustainable?
Two hours south of Berlin, in the colorless fields of Wolfen, H&M works with a massive textile sorting and recycling facility, one that might prove to be the unlikely looking future and redeemer of fast fashion. Around 25 to 30 trucks a day drop off an average of 14 metric tons of unwanted remainders from Europe’s closets, gathered from recycling bins at H&M’s thousands of locations on the continent. In Wolfen, this detritus of seasons past is industriously sorted for reuse, resale, and recycling, a relatively new trinity for the mass-produced clothing industry.
With 4,200 stores around the world, H&M is the second-largest clothing retailer in the world (after Spain’s Inditex, which has 7,000). Its 2016 revenue is in the neighborhood of $20 billion. It takes a lot of $50 blazers and $10 T-shirts to get to that number, and the company tends to be the prime example of fast-fashion feeding unsustainable consumer habits and environmental damage. And while it clearly has no plans of stopping (the company’s growth target is to increase stores by 10 to 15% annually) it’s also investing heavily in fabric recycling innovations, in the hopes that it can continue to grow while creating a closed-loop system, where most (if not all) of the raw materials for its clothes come from fibers that were already used.
A main feature of this plan is a partnership with a solutions provider called I:CO, which oversees this 13-football-field sized plant, which was opened by their parent company, SOEX, in 1998. (SOEX is a German textile collection and recycling group; I:CO is one of their subsidiaries.) Since 2009, I:CO, which is short for I:Collect, has run the Wolfen plant and since 2013, when H&M began garment collecting, everything left in their European stores has been trucked here. I:CO manages H&M’s in-store cast-off collecting all over the world, and runs two similar facilities—in the U.S. and India—for making zero-waste use of clothes, shoes, and textiles that would otherwise likely end up in landfills.
“For us, the way forward is to create a closed loop for textiles where clothes that are no longer wanted can be turned into new ones, and we don’t see old textiles as waste, but rather a resource,” says Cecilia Brännsten, H&M’s sustainable business expert. The company first began to explore aspects of sustainability with the introduction of some organic cotton back in 2005, but the notion of circular production within their supply chain has really taken off just over the past few years, beginning with the 2013 launch of their in-store garment collecting initiative (you can now leave old textiles at any H&M store in the world).
But keeping clothes out of landfills, while laudable, is more of a first step on the way to the main goal, which is changing the company’s supply chain to a so-called closed loop, thus making far more use of non-virgin fibers (as in, fibers that come from already-worn garments). The H&M Foundation is in the midst of a four-year partnership with The Hong Kong Research Institute of Textiles and Apparel (HKRITA), and has committed $5.8 million to develop the technology to recycle blended textiles into fabrics fit for new clothing. Fibers like cotton-poly are currently un-recyclable into wearable new material, a major obstacle to scaling up the company’s fiber-to-fiber recycling operation and closing that part of the production loop.
I:CO doesn’t know the exact amount of cotton-poly it collects, but the amount of blended textiles it has been receiving has been on the rise, so finding a way to recycle these into fiber that can be used for new clothing is a problem that needs to be addressed. In 2015, the company joined forces with luxury group Kering to partner with Worn Again, a UK-based textile research firm. Worn Again is trying to address problems like the shortening of natural fibers, which occurs when fabric is re-spun. Right now, when clothes you buy are marked “recycled,” that’s only 20% true. The rest is virgin fiber, which has to be combined with the recycled stuff to make a wearable textile. This is the problem that the scientists at HKRITA are trying to solve.
Both in speaking to its executives and in its exhaustive, public annual sustainability reports, H&M remains committed to finding a way to make all kinds of fiber-to-fiber recycling a major part of their closed loop materials, even if there is no target date yet in sight. In the meantime, at least, the company has produced 1.3 million garments with closed loop material in 2015 (it’s one of the biggest users of recycled polyester and organic cotton in the world) and H&M seems well aware that a future blended textile recycling capability is a key way to decouple their growth from new materials. “There’s resource scarcity on one hand, and we have huge waste on the other,” says Brännsten.
The multiple tons sorted in Wolfen on any given day are still minor compared to the 85% of discarded clothes that sent to landfills (the rest are donated), yet the operation requires seven hundred employees, most of whom work in the 24-hours-a-day business of sorting. I:CO says that salaries start above the German minimum wage, which is 8.50 euros an hour. They’re also offered health benefits on top of normal health insurance, like free physiotherapist visits in Wolfen, likely useful given that each person sifts through more than 6,000 pounds of clothing per eight-hour shift.
The sorting process is based on 350 different criteria which determine whether your old jeans will be re-sold, partly re-used (zippers are handy that way), or fully recycled. Nothing that is fit for reuse, Brännsten stressed, would be recycled. Reuse extends an item’s lifespan, thereby lengthening the time it takes to go around H&M’s circular production loop.
But everything in Wolfen is used, in one way or another. The most worn-out cotton items head to a shredder, where they are gradually broken down and repackaged into inviting bales of fluff, and become wipes and cleaning cloths. The absurd amount of dust produced by the sorting, shredding, and baling is sucked up into brickettes and sold to the paper industry. The reusable clothes—and about 60% of what ends up in Wolfen is still wearable—are sorted by type, fabric, color and quality, packed in 130 to 175 pound bales, and shipped to any of 90 countries (predominantly in Eastern Europe and Africa) for re-sale in used clothing stores.
Customers who drop off clothes receive incentives, in the form of discounts or vouchers per bag of clothing. The idea is to make it as compelling as possible to get rid of clothing that would otherwise be trashed, and the incentives vary by H&M brand and home country regulations. In the U.S., a bag with at least three items (from any brand, and this can include stuff like old sheets) nets you a 15% discount coupon at H&M, while the same bag at the more upscale & Other Stories is rewarded with 10% off. Meanwhile, the proceeds from used clothing re-sale do not feed the company’s bottom line, but are donated to local charities and the H&M Foundation, which splits the funds between social and recycling projects, including the HKRITA partnership.
At the stores themselves, the Conscious Exclusive collection gives organic and partially-recycled clothing a fancier vibe, while the affordable Conscious line might be in your closet already. Close the Loop, an understated recycled denim and knit line for men and women debuted earlier this fall, and is made with 20% post-consumer cotton and wool from I:CO’s India plant. The company uses about 20% sustainable materials overall—using organic cottons, linens, and leathers, recycled polyamides and polyesters, and now, recycled cotton and wool.
So far, the company has collected about 34,000 tons of waste, or the weight of 178 million t-shirts, according to Anna Gedda, H&M’s head of sustainability. Of course, the equivalent of 178 million t-shirts over three years sounds less impressive next to the 550 to 600 million garments the company produces annually (this is based on outside estimates; H&M does not release production numbers). Its sheer size means “we will get criticized,” Brännsten says, throughout their ongoing move toward fuller sustainability.
And certainly, the criticism the company receives for its unsustainable production pales in comparison to its issues with garment production and worker protections. While H&M has publicly committed to fair living wages and working hours for its garment workers, human rights activists on the ground tell a different story. The Clean Clothes Campaign reported last spring that Bangladesh factories who work with H&M were behind schedule on badly-needed improvements (like fire doors) and vendors in Cambodia and India were coercing pregnant employees to get abortions, lest they instead be fired. Any advances the company makes in terms of recycling science certainly must be balanced with a continued push toward worker rights and worker safety, or the quest for sustainability in its supply chain will be meaningless.
Ultimately, the company “need[s] to ask I:CO, instead of the cotton field,” for new material, says Brännsten, noting that one effect of the company’s size is the potential of its influence over supply chains. In Wolfen, the U.S., and the India, already zero-waste facilities, the goal is to move away from down-cycling (the paper brickettes, wipes, cleaning cloths), maximize fiber-to-fiber recycling, and source all cotton sustainably by 2020. Developing cotton-poly recycling will likely speed up if and when H&M’s competitors get on board, too, Brännsten conceded. “It will not be called ‘recycled’ in the future,” she says, “because that’s the polyester that you get.” Walking through Wolfen, under hundreds of suspended sacks of discarded clothing, it’s believable that they are on their way. Now, for its efforts to outstrip the criticism of its business, what it needs most is a hard and fast timeline for that circular future.
[All Photos: via I:CO]
*This story first appeared on Fast Coexist
Glossy 101: Circular fashion, explained
As fashion brands continue to identify ways to use recycled materials and curb emissions, the term “circular fashion” has been popping up more and more. So, what in the world is it?
In a nutshell, circular fashion is a product of the circular process, which involves integrating recycled resources into supply chains. It’s a nice idea, but for a lot of brands, going there is easier said than done. Levi’s has been successful at converting plastic bottles to denim, but most fashion brands have experienced great difficulty navigating the circular fashion model. Many have offered standalone recycled fashion lines—think Eileen Fisher’s Remade line, which is produced using discarded designs, and TopShop’s Reclaim effort—but very few have actually started integrating recycled materials into production.
The reason? It’s complicated. That’s why we decided to break it down: Here’s what you should know about the circular fashion movement—specifically, how brands are working to join it in order to change the system.
What is a circular material, exactly?
A circular material is a recycled material, part of the larger circular economy founded upon the traditional concept of “reduce, reuse, recycling.” These materials are designed to prevent the introduction of new resources into the supply chain by reimagining those already in the mix as new garments—high-quality garments, that is—using volume collaboration.
Volume collaboration? Give me the short version.
Volume collaboration is the result of multiple brands sharing materials—such as dyes, chemicals, trims, yarns and base fabrics—that they use to create fully designed garments. H&M, Stella McCartney and Tommy Hilfiger are among brands that are working together by sharing materials. In doing so, they are ensuring that those they use are as environmentally friendly and recyclable as possible.
Last week in a webinar hosted by Fashion Positive, H&M sustainability expert Cecilia Brannsten said that working together is vital to instigating change, since it can often be difficult for one brand to move the needle on issues like dye pollution. “The change will happen a lot quicker if there are more of us trying to do it, working on this in parallel, because we can do a lot of good together,” Brannsten said.
Who writes the rules on circular fashion?
Fashion Positive Plus—it’s an extension of an initiative led by the Cradle to Cradle Products Innovation Institute, which was founded in 2014 to increase the use of circular materials by identifying, certifying and scaling them for the fashion industry. It’s focused on sharing insights and best practices around circular materials as well as integrating them into supply chains.
What does it take to get the “circular” label?
Fashion Positive has a Critical Materials list featuring the “high-priority, critical materials needed for circular fashion,” according to the site. These materials are assessed with five categories in mind: material health, material reutilization, renewable energy, water stewardship and social fairness.
“We have set a vision at H&M—a really bold vision—to be 100 percent circular”
– Cecilia Brannsten, H&M sustainability expert
Does Fashion Positive work with any big-name designers?
Stella McCartney, a designer who has been a vocal proponent of sustainable fashion, is working to create a Cradle to Cradle Certified material to use in her knitwear collections. Likewise, participating brands like H&M, are working with the group to introduce such materials into production in order to reach lofty goals, like becoming a fully sustainable company. “We have set a vision at H&M—a really bold vision—to be 100 percent circular,” Brannsten said in the webinar last week. “What that means is we want to have a circular approach to how products are produced and will only use circular or sustainably sourced materials.”
What’s next for circular fashion?
Recycled fashion can be difficult to scale, since most garments aren’t designed with circular materials in mind. In the future, organizations like Fashion Positive, in tandem with brands dedicated to the mission, may be able to help promote the use of materials that are most conducive to recycling.
*This story first appeared on Glossy