Frontline Fashion

Do You Have What It Takes To Rethink Fashion?

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Global expansion of Redress Design Award feeds urgent need to embed sustainability into the fashion industry as an economic necessity.
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Entering the eighth competition cycle of the Redress Design Award, organisers

Redress – a Hong Kong environmental NGO committed to reducing textile waste – are as determined as ever to intensify their impact on the fashion industry. In a year which is widely marked as a critical tipping point for consumers, designers and brands to incorporate sustainability across the fashion value chain, the 2018 cycle of the world’s largest sustainable design competition has expanded to a truly global search for emerging talent. Amidst ongoing industry pressures to produce more clothes at less cost, the Redress Design Award continues to shine a light on the push for sustainability, and the growing power of the circular economy, whilst championing emerging talent to fuel this new future for fashion.

An official launch event at Eaton House in Hong Kong marked the opening of the Redress Design Award 2018 (formerly the EcoChic Design Award), further strengthening Hong Kong’s position as a leading sustainable fashion hub in Asia. With the continued support of Create Hong Kong, who have sponsored the competition since its inception in 2011, the award offers the top ten finalists the opportunity to travel to Hong Kong in September 2018 to present their innovative waste-reducing collections and vie for First Prize, to design a collection for up-cycled brand, The R Collective, proving to the world that sustainable fashion is not just a trend but instead a business reality.

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FEEDING AN INDUSTRY GAP

A recent industry report predicts sales across nearly all fashion categories will almost triple between 2016 and 2018. Meanwhile the number of garments produced annually now exceeds 100 billion pieces. With this rapid rise in production and consumption comes a staggering increase in waste, as consumers buy more and more whilst simultaneously disposing of their clothing twice as fast as they did 15 years ago. In Hong Kong alone, approximately 125,195 tonnes of textiles were sent to landfills in 2016.

Redress Founder, Christina Dean commented, “The fashion world’s ethical barometers are now switched on and we’re seeing an overarching yearning for positive change. Hope is now sewn into the core of fashion. We are now at a critical tipping point to act, especially for emerging designers who are ready to prove to the world that circular fashion can be a beautiful, retail reality.”

Hong Kong designer, Victor Chu, who is one of over 130 fashion game-changers in the growing Redress Design Award Alumni Network, co-designed The R Collective’s inaugural up-cycled collection, which launched in Lane Crawford and Barneys New York. He commented, “I remember being quite shocked as a student when I learned through the Redress Design Award that around 80% of a product’s environmental impact is locked in at the design stage. My experience in the competition and then later joining the design team at The R Collective has shown me how my design decisions can be part of a positive solution from the outset. What’s more, I really believe that there is retail appetite for sustainable fashion in Hong Kong, Asia and the rest of the world!”

The Redress Design Award 2018 is now open to emerging designers and students with less than three years’ industry experience. Applications are now being accepted until the closing date on 13 March 2018. Applicants are tasked to design a sustainable collection that re-claims unwanted textiles in unexpected ways and they must source 100 percent textile waste for their competition collections. In addition to this, designers must incorporate one or more of the three core sustainable design techniques of zero-waste, up-cycling and reconstruction in their designs. Various career-changing and educational prizes are up for grabs, including first prize with The R Collective to create an upcycled collection for retail, a mentorship with sustainable visionary, Orsola de Castro and multiple other professional prizes. The ten finalists will later compete to win in Hong Kong in early September 2018 at a live grand final fashion show at the city’s fashion week.

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Watch Frontline Fashion, a documentary that traces the journey of finalists from the 2016 cycle in Mumbai on 17th February.

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Meet Patrycja Guzik: Winner of the EcoChic Design Award 2016

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The EcoChic Design Award 2015-16 1st and special prize winner_Patrycja Guzikjpg.jpgThrough the next two months, GreenStitched sits down with the finalists of EcoChic Design Award 2015/16. EcoChic Design Award is a sustainable fashion design competition organised by Redress, inspiring emerging fashion designers and students to create mainstream clothing with minimal textile waste.

The interviews with these young designers will be posted every Wednesday on GreenStitched.

Today we meet Patrycja, the winner of the EcoChic Design Award 2015/16.

What brought you into the world of fashion? That ‘aha’ moment which opened doors to sustainable fashion?

Patrycja: I asked myself: what I can do as a young fashion designer without big financial capital. And I realized that the answer is really simple: I can make a difference in a fashion industry. My artwork means something more for me than just a clothes. I’m glad that I can tell story through my collections. To me sustainable fashion means living in balance. We need to change our thinking around clothes and more designers need to show consumers that we are able to make beautiful clothes using old clothes and damaged textiles.

What was your inspiration for the EcoChic Design Award collection?

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Image: Tim Wong, Redress

Patrycja: My interpretation of the phrase ‘Heaven is a place on Earth’ was the starting point for the The EcoChic Design Award. This corresponds to the everlasting pursuit of perfection in life, and is a condition when the feeling of emptiness and stagnation is able to be balanced, allowing us to be in harmony – to find your own place on earth. I aimed to make my clothes a shelter; a dreamy, heaven-like space that one could just settle into.

Texture, color and shape are the main codes of the collection and the forms are enhanced by the prints. My jumpers are knitted with rug-making techniques using secondhand wool. ‘Heaven Is a Place on Earth’ was also the inspiration for the colour theme with tints of black, white, blue, violet and cobalt dominating the collection.

I collaborated with a Polish illustrator, Mateusz Kolek, who designed the print based on my inspiration pack and colour palette. This print developed from lots of discussions about the theme and is a labyrinth of symbols which take you through my story. This re-printing technique has also enabled me to bring new life to discarded textiles.

3 things you learnt from of the challenge?

Patrycja: In time of the competition we went to a factory in Dongguan China to see what the typical process of production clothes looks like. Then I realized that every new, decorative line of my design drawing involve 5 more process, peoples, more water and electricity.

Of course that trip to the factory made me more aware. Every production process involved in each garment is in my hands during the time of design. It is my responsibility as a fashion designer.

What was the impact of this award on you?

Patrycja: It has been the most important experience and biggest adventure in my life so far. All the designers I met through The EcoChic Design Award are so talented and conscientious in sustainable fashion. Each of them have their own stories, own experiences, and own way perspective on things…it was pleasure to spend time and work with the group of finalists and the Redress team.

How do you think sustainable fashion can move from a niche to the mainstream?

Patrycja: Consumers are constantly wanting more and for a cheaper price. As designers, we should stop for a moment and consider why sustainable fashion is important for us today and what it means for each of us in our work. Today’s fashion industry is so fast paced and we’re constantly looking for new things made from new materials.

But it’s also important to remember that designers are able to make beautiful clothes using waste that are equally, if not more, original and creative. It’s not about wanting new things all the time.

What is the biggest misconception about sustainable fashion?

Patrycja: Using waste can sometimes be challenging, but no one said life would easy! Easy can be boring! We need to recognize that less is more: we need to slow down our consumption, change our thinking around clothes, return to our roots, not forget our past and start thinking about our future.

What is your advice for the next breed of fashion designers?

Patrycja: Just make a first step into sustainable fashion. You’ll love all those sustainable fashion technique. And the moment when you see your collection on a models on a catwalk and you realized that 3 months ago these were ugly leftovers and secondhand wool yarn and old school sweaters, hats, scarfs is unspeakable.  So just start and go for it!

What is next in store for you?

Patrycja: I have just completed designing my capsule collection for Shanghai Tang, I’d now like to spend more time developing my own designs using the zero¬waste design technique, adding more everyday wear items to my existing collection. I really fell in love with this technique during The EcoChic Design Award. Farther into the future, I’d like to develop my own brand.

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You can follow Patrycja on Facebook and Instagram.

Watch Frontline Fashion, a  documentary following these talented Asian and European emerging fashion designers determined to change the future of fashion. As they descend into Hong Kong for the design battle of their lives, all eyes are on the first prize; to design an up-cycled collection for China’s leading luxury brand, Shanghai Tang. This documentary is available on iTunes here.

The next cycle of the EcoChic Design Awards is open for application from 3 January to 3 April 2017. Interested students can find more details here.

 

Meet Cora Bellotto: Finalist of the EcoChic Design Award 2016

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The EcoChic Design Award 2015-16 2nd prize winner_Cora Bellotto (1).jpgThrough the next two months, GreenStitched sits down with the finalists of EcoChic Design Award 2015/16. EcoChic Design Award is a sustainable fashion design competition organised by Redress, inspiring emerging fashion designers and students to create mainstream clothing with minimal textile waste.

The interviews with these young designers will be posted every Wednesday on GreenStitched.

Today we meet Cora, an Italian freelance fashion designer living in Spain.

What brought you into the world of fashion? That ‘aha’ moment which opened doors to sustainable fashion?

Cora: Fashion has always been in my dreams, but I wasn’t sure whether I was going to be a designer until I did a training course in tailoring at the age of sixteen. I always loved to create, to physically make things: that’s my favourite part about being a designer, together with the definition of the design concept, which is the stimulating part behind everything.

Regarding sustainability, fashion waste has always been one of my concerns. Since my very first project in fashion academy, I’ve been interested in investigating what in our society is considered to be trash.

I did my bachelor’s thesis under the supervision of designer Marina Spadafora (who recently won a big prize at United Nations for her commitment to  sustainable fashion) and she really boosted my interest in this area. After graduating, I did an internship with her at Cangiari, a sustainable fashion brand from southern Italy, working towards combating the spread of the Mafia and raising employment opportunities for women.

What was your inspiration for the EcoChic Design Award collection?

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Image: Tim Wong, Redress

Cora: My concept for the competition was LOVE ENDINGS, since the materials I decided to use for my collection were all related to marriage somehow.

For example, I up-cycled and reconstructed second-hand wedding dresses and vintage trousseaus, which I sourced from my network of friends and family. I saw the potential for these items to be part of new love stories through a new life. Vintage linen and all the materials from vintage trousseaus have always fascinated me: the sophisticated touch of these fabrics was my first source of inspiration. I worked on a comfortable, smooth silhouette, where asymmetrical cuts meet a delicate palette of fresh and pale colours. I also up-cycled different textile leftovers by weaving them into brand new fabrics.

Weaving took up a huge amount of time, but I did it as an artistic expression: it was my statement against the rush that fashion industry is urging to all of us all to follow, designers and consumers alike.

3 things you learnt from of the challenge?

Cora:
– The most stimulating and enriching aspect of the competition was that each participant had his/her own personal view on sustainable fashion and a different approach to deal with sustainability.

– We also had the opportunity to listen various talks held by experts and learn specific topics.

– I was quite astonished when I found out that the most pollutive stage in the life-cycle of a clothing item comes after manufacturing, and it happens during the machine-washing. I learnt that, on average, we wash an item fifty times before we dismiss it.

How do you think sustainable fashion can move from a niche to the mainstream?

Cora: I don’t believe this is possible. In my opinion, the right question would be: how can mainstream become more sustainable? And my answer is: through education, through consciousness, through a deep awareness of the catastrophic effects of our current way of manufacturing and consumption and, last but least, through an expanding recognition of human rights in the developing countries.

What is the biggest misconception about sustainable fashion?

Cora: A common misconception is that sustainable fashion is not cool, or it is something only for hippies or vegans. This is not true; and I wanted to demonstrate it with my own capsule collection. I wanted to show that a sustainable luxury is possible, and I wanted my clothes to be attractive because of their sophisticated style, then subsequently for being sustainable.

What is your advice for the next breed of fashion designers?

Cora: Try to design good quality products that people would love to wear as long as possible and don’t forget to consider the environmental and social impact of each manufacturing stage and process.

What is next in store for you?

Cora: My main objective right now is to implement production and work on distribution. It’s very hard for a young, independent designer to be noticed in such a saturated market and reach new clients. I am now looking for international shops and online platforms interested in selling my collections. In the meantime, I am working on a new winter collection!

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You can follow Cora on her website, Facebook, Instagram and Twitter.


Watch Frontline Fashion, a  documentary following these talented Asian and European emerging fashion designers determined to change the future of fashion. As they descend into Hong Kong for the design battle of their lives, all eyes are on the first prize; to design an up-cycled collection for China’s leading luxury brand, Shanghai Tang. This documentary is available on iTunes here.

The next cycle of the EcoChic Design Awards is open for application from 3 January to 3 April 2017. Interested students can find more details here.

 

Meet Tsang Fan Yu: Finalist of the EcoChic Design Award 2016

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The EcoChic Design Award 2015-16 Hong Kong finalist _Tsang Fan Yu - Copy.jpgThrough the next two months, GreenStitched sits down with the finalists of EcoChic Design Award 2015/16. EcoChic Design Award is a sustainable fashion design competition organised by Redress, inspiring emerging fashion designers and students to create mainstream clothing with minimal textile waste.

The interviews with these young designers will be posted every Wednesday on GreenStitched.

Today we meet Fan Yu, a Fashion Design student at The Hong Kong Polytechnic University.

What brought you into the world of fashion? That ‘aha’ moment which opened doors to sustainable fashion?

Fan Yu: I believe in Zen philosophy, and so I respect the balance between nature and human lives. When Zen philosophy is then combined with sustainable fashion, both concept and design style should enhance the overall quality of the product. This helps to maintain sustainable fashion in simple and high-end styles – much like the concept of “wabi-sabi” which is an aesthetic that accepts and celebrates imperfection. As a fashion designer, I believe less is more.

What was your inspiration for the EcoChic Design Award collection?

The EcoChic Design Award 201516_Asia Finalists_TSANG Fan Yu_Photo credit Tim Wong.jpg
Image: Tim Wong, Redress

Fan Yu: “SAN(さん)” in Japanese is a title of a person, much like “Mr/Ms” in English. In this collection, the “SAN” is representing a Zen master Shunryu Suzuki (鈴木俊隆). The collection is inspired from his book called “Zen Mind, Beginner’s Mind”.

The soul of book is about an attitude called “Beginner’s Mind”. It emphasised that stay initial as beginner when you face every challenge, then you can feel real and enjoy lives in details. As a modern, energetic Chinese lady, contemporary sustainable fashion serves as good accessories to help them to stay true and stay initial; and displaying their beauty towards others.

3 things you learnt from of the challenge?

Fan Yu:

– Sustainable fashion design techniques

– Sustainable materials/textile

– Sustainable technology application

How do you think sustainable fashion can move from a niche to the mainstream?

Fan Yu: Sustainable fashion is a trend around the world.

Education and promotion is the most important factor, such as carrying out workshops, talks, competitions, flea markets and second-hand pop-up stores etc. It will be easier to spread the message of sustainable fashion to the public through these activities.

It is also important to encourage popular fashion brands to become leaders of sustainable fashion in the industry.  For example, brands such as H&M, Stella McCartney play a huge role.

What is the biggest misconception about sustainable fashion?

Fan Yu: People think that sustainable fashion is rubbish, for example, they would think the clothes are old, dirty, damage, second-hand, uncomfortable, disgraceful or have poor finishing (patching everywhere).

What is your advice for the next breed of fashion designers?

Fan Yu: Be yourself. Do not be the kind of person you hated when you were young.

What is next in store for you?

Fan Yu: Preparing for my fashion label. Keep explore sustain fashion techniques and promote to my friend of designer.

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You can follow Fan Yu on his website, Facebook and Instagram.


Watch Frontline Fashion, a  documentary following these talented Asian and European emerging fashion designers determined to change the future of fashion. As they descend into Hong Kong for the design battle of their lives, all eyes are on the first prize; to design an up-cycled collection for China’s leading luxury brand, Shanghai Tang. This documentary is available on iTunes here.

The next cycle of the EcoChic Design Awards is open for application from 3 January to 3 April 2017. Interested students can find more details here.

 

Meet Pan Wen: Finalist of the EcoChic Design Award 2016

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The EcoChic Design Award 2015-16 Mainland China finalist_Pan Wen - Copy.jpgThrough the next two months, GreenStitched sits down with the finalists of EcoChic Design Award 2015/16. EcoChic Design Award is a sustainable fashion design competition organised by Redress, inspiring emerging fashion designers and students to create mainstream clothing with minimal textile waste.

The interviews with these young designers will be posted every Wednesday on GreenStitched.

Today we meet Pan Wen, a recent graduate of Fashion Design from Central Saint Martins who has returned to Mainland China to pursue her career in fashion design.

What brought you into the world of fashion? That ‘aha’ moment which opened doors to sustainable fashion?

Pan Wen: I love nature and it pains me to see people endlessly emitting industrial waste for the pursuit of superficial vanity and harming animals and plants in the process. I have always felt that there must be ways to balance one’s needs with the burden we put on our earth. I want to keep exploring this balance through sustainable fashion design, a field which I am passionate about, and spark a deeper reflection through my work.

What was your inspiration for the EcoChic Design Award collection?

The EcoChic Design Award 201516_Asia Finalists_PAN Wen_Photo credit Tim Wong_2.jpg
Image: Tim Wong, Redress

Pan Wen: The inspiration came from a 1940’s Scottish tapestry in the Victoria and Albert Museum. The tapestry depicts a scene of blue-blooded people who are hunting for fun. There is this enormous contrast between their elegant life and this cruel behaviour. I wanted to create a collection to express this contrast and condemn a society that would engage in hunting out of pride and vanity.

The collection’s colour is inspired by that tapestry’s soft vintage colour, and the pattern is derived from my sketch of that tapestry. I wanted to use a tender colour to contrast with the cruel reality of hunting. The simple but bold shape is inspired by the garments of the aristocratic hunters in that picture.

3 things you learnt from of the challenge?

Pan Wen:
– Being organised is crucial.

– There are more sustainable materials beside organic cotton. There is a lot more high-tech and exciting materials out there.

– Process and outcomes are both important in fashion design.

How do you think sustainable fashion can move from a niche to the mainstream?

Pan Wen: Education and events like the EcoChic Design Award helps a lot. Propaganda and advertisement also works. As long as costumers are aware of the importance of sustainability.

What is the biggest misconception about sustainable fashion?

Pan Wen: Sustainable fashion is not just some homemade craft making use of recycled waste – I think this may be the biggest misconception. Sustainable fashion is about the consideration of processes along the entire fashion supply chain, and in a highly sustainable way too.

What is your advice for the next breed of fashion designers?

Pan Wen: Get to know what you are doing, and work really hard to do your best.

What is next in store for you?

Pan Wen: I enjoy living every moment! I look forward to doing some design collaborations with artists in other areas.

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You can follow Pan Wen on Instagram


Watch Frontline Fashion, a  documentary following these talented Asian and European emerging fashion designers determined to change the future of fashion. As they descend into Hong Kong for the design battle of their lives, all eyes are on the first prize; to design an up-cycled collection for China’s leading luxury brand, Shanghai Tang. This documentary is available on iTunes here.

The next cycle of the EcoChic Design Awards is open for application from 3 January to 3 April 2017. Interested students can find more details here.

 

 

Meet Annie Mackinnon: Finalist of the EcoChic Design Award 2016

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The EcoChic Design Award 2015-16 UK finalist_Annie Mackinnon.jpgThrough the next two months, GreenStitched sits down with the finalists of EcoChic Design Award 2015/16. EcoChic Design Award is a sustainable fashion design competition organised by Redress, inspiring emerging fashion designers and students to create mainstream clothing with minimal textile waste.

The interviews with these young designers will be posted every Wednesday on GreenStitched.

Today we meet Annie, a Fashion Design student at Central Saint Martins.

What brought you into the world of fashion? That ‘aha’ moment which opened doors to sustainable fashion?

Annie: Honestly I am completely appalled and disgusted by the fashion industry. It is infuriating to see how such a natural and beautiful craft has turned into a wasteful, environmentally and humanly-damaging mess that only cares for the gain of money and popularity, as with most things in the world.

I am trying my best to develop my own practice of work to be as environmentally aware as possible is really the least I can do. I want to be a sustainable fashion designer to raise awareness and change the way people think about consumption and waste and I want to develop alternatives to an industry that is primarily based on ephemeral trends and mass production.

What was your inspiration for the EcoChic Design Award collection?

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Image: Tim Wong, Redress

Annie: The collection was inspired by paintings by Karel Appel, Kandinsky, Kirchner and Matisse, and in particular one of Matisse’s paintings in which naked bodies recline and walk freely around a garden. My collection was based on a series of textiles I created which used up all the waste from the collection by cutting up and fraying all the off cuts and painting over them. These decorated simple silhouettes and all the fabrics used were obtained from old furnishings or off cuts.

3 things you learnt from of the challenge?

Annie:
– Considering the human conditions of production are just as important as the environmental impact when designing. Because I have never had to design on a huge scale, I had never really thought about how mass production factories work, but visiting one of the largest shirt producing factories in the world during the Ecochic Design Award was incredibly eye opening and shocking.

– There are so many aspects beyond the garment itself that need to be taken into consideration when designing. For instance will the user need to wash or iron the garment often? Is the garment easy to dispose of or transform into something else?

– There are always so many ways to improve the sustainability of a design, so it is a process that keeps growing.

How do you think sustainable fashion can move from a niche to the mainstream?

Annie: There are very few new and exciting designers who genuinely care about sustainability, and it would be great for this to change. Large designers are often guilty of green-washing consumers, or making poor attempts at sustainability that make this branch of design seem like a joke or a fad. Then of course, there is the problem since brands have to sell to make money ; nobody wants to slow down the pace of fashion, or create fewer, longer lasting garments. The whole attitude towards consumption needs to change, and consumers need to start appreciating craftsmanship and slow fashion more.

What is the biggest misconception about sustainable fashion?

Annie: The biggest problem in my opinion is green-washing, and large companies using sustainability as way of advertising and marketing. This sort of false “sustainability” or “eco-friendly” clothing is damaging to those who genuinely care about the environment and workers rights.

What is your advice for the next breed of fashion designers?

Annie: Start learning about ways to be more sustainable as early on in your education as possible.

What is next in store for you?

Annie: This year I will be interning for Bernhard Willhelm, Vivienne Westwood and then a new brand in Shanghai, after which I will go back to university to begin my final collection.

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You can follow Annie on Instagram.


Watch Frontline Fashion, a  documentary following these talented Asian and European emerging fashion designers determined to change the future of fashion. As they descend into Hong Kong for the design battle of their lives, all eyes are on the first prize; to design an up-cycled collection for China’s leading luxury brand, Shanghai Tang. This documentary is available on iTunes here.

The next cycle of the EcoChic Design Awards is open for application from 3 January to 3 April 2017. Interested students can find more details here.

 

 

Meet Belle Benyasarn: Finalist of the EcoChic Design Award 2016

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The EcoChic Design Award 2015-16 Thailand finalist_Belle Benyasarn.jpgThrough the next two months, GreenStitched sits down with the finalists of EcoChic Design Award 2015/16. EcoChic Design Award is a sustainable fashion design competition organised by Redress, inspiring emerging fashion designers and students to create mainstream clothing with minimal textile waste.

The interviews with these young designers will be posted every Wednesday on GreenStitched.

Today we meet Belle, a fashion designer from Thailand.

What brought you into the world of fashion? That ‘aha’ moment which opened doors  to sustainable fashion?

Belle: I have a background in textile design. As I weave different fabrics, I see the importance and need to be aware of the things I make. I believe it is my responsibility to understand the long-term effects. As fashion design students, we typically spend the bulk of our time learning about designing and making, but we rarely do we consider the environmental impacts we cause through our production as well as what happens after we have sold our designs. I want to be part of the new generation of designers who raise the standards of the fashion industry.

What was your inspiration for the EcoChic Design Award collection?

unspecified
Image: Tim Wong, Redress

Belle: The fashion industry is one of the largest polluters in the world. As I am aware of the amount of waste created in the process, I saw the potential of using them with my specialty as a weaver. I was inspired to use a technique I call “Up-cycle Weaving” in my collection – which is all about reinventing new materials. For my EcoChic Design Award collection, I re-weaved various types of waste fabrics including waste leather and end-of-roll textiles I sourced from a local bag factory in Thailand to create a sustainable collection that looks wearable in everyday life.

3 things you learnt from of the challenge

Belle:
– Believe in your passion. Search for an opportunity and express it.

– It may be difficult to balance aesthetics and design sometimes, but the most important  thing is to do what you like and be proud of your creations.

– Sustainable is around the corner. It is in your everyday life.

How do you think sustainable fashion can move from a niche to the mainstream?

Belle: It all comes down to the way consumer perceives sustainable fashion. Aesthetics will be important . The designer has to prove that there can be a balance between sustainability and aesthetics; then people will start to believe it.

What is the biggest misconception about sustainable fashion?

Belle: Sustainable fashion is not about designing an outfit from the garbage or plastic bottles that you purchase from supermarket. We must consider the source of the materials well as who makes it.

What is your advice for the next breed of fashion designers?

Belle: Believe in yourself. Be confident. There will always be someone who likes your work.

What is next in store for you?

Belle: I’m currently running a woven textile studio under my name. I’d like to provide a new creative approach to textile design by exploring unusual materials as well as a sustainable approach.

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You can follow Belle on Facebook.


Watch Frontline Fashion, a  documentary following these talented Asian and European emerging fashion designers determined to change the future of fashion. As they descend into Hong Kong for the design battle of their lives, all eyes are on the first prize; to design an up-cycled collection for China’s leading luxury brand, Shanghai Tang. This documentary is available on iTunes here.

The next cycle of the EcoChic Design Awards is open for application from 3 January to 3 April 2017. Interested students can find more details here.